{"id":6762,"date":"2020-10-04T11:37:41","date_gmt":"2020-10-04T09:37:41","guid":{"rendered":"https:\/\/trans-cultures.fr\/?p=6762"},"modified":"2020-11-22T13:19:32","modified_gmt":"2020-11-22T12:19:32","slug":"lettres-kurdes","status":"publish","type":"post","link":"https:\/\/trans-cultures.fr\/?p=6762&lang=fr","title":{"rendered":"Lettres kurdes"},"content":{"rendered":"\n

Kajal Ahmad<\/span><\/strong><\/p>\n\n\n\n

\n
\"Kajal
Kajal Ahmad<\/strong><\/figcaption><\/figure><\/div>\n<\/div><\/div>\n\n\n\n

Kajal Ahmad est po\u00e9tesse et journaliste kurde.
N\u00e9e en 1967, \u00e0 Kirkouk, en Irak, ses premiers po\u00e8mes, \u00e9dit\u00e9s en 1988, frappent, \u00e0 l’\u00e9poque, par leur caract\u00e8re incisif et sensuel tout autant qu’ils t\u00e9moignent, dans l’ensemble de l’espace d’expression kurde, d’une d\u00e9marche audacieuse,
emplie tout \u00e0 la fois de v\u00e9h\u00e9mence et d’\u00e9motion.
Elle a depuis publi\u00e9 sept recueils de po\u00e9sie auxquels il convient d’ajouter sa pr\u00e9sence dans plusieurs anthologies de la po\u00e9sie irakienne, notamment Benderi Bermoda (1999).
Ses po\u00e8mes ont \u00e9t\u00e9 traduits en arabe, en persan, en turc, en norv\u00e9gien. Sous le titre \u00a0\u00bb Une Poign\u00e9e de Sel \u00ab\u00a0, un choix d’entre eux a \u00e9t\u00e9 publi\u00e9 en 2016, en langue anglaise, par Word Works.
Puisant son inspiration dans les traditions ancestrales, l’\u0153uvre de Kajal Ahmad est essentiellement nourrie et habit\u00e9e des th\u00e8mes de l’exil, de la solitude, des drames int\u00e9rieurs, de l’avenir et de l’\u00e2me du pays kurde.<\/p>\n\n\n\n

Menant parall\u00e8lement une carri\u00e8re de journaliste, elle a \u00e9t\u00e9 r\u00e9dactrice en chef, pendant plus de dix ans, de Kurdistani New journal quotidien de l’Union Patriotique du Kurdistan et a anim\u00e9 nombre d’\u00e9missions de la cha\u00eene Kurdsat.
Elle n’a eu de cesse tout au long de cette p\u00e9riode d’\u0153uvrer en faveur de la condition de la femme, de la culture kurde et d’un Kurdistan libre.<\/p>\n\n\n\n

Vivant et travaillant \u00e0 Souleymania,
au Kurdistan d’Irak, Kajal Ahmad milite aujourd’hui pour le d\u00e9veloppement et l’enrichissement de la litt\u00e9rature kurde.<\/p>\n\n\n\n

  Ce que le dit a dit<\/strong><\/h2>\n\n\n\n

La montagne est orgueil. Elle n’ouvre jamais son c\u0153ur et dit haut qu’elle n’est pas amoureuse. Elle cache ses larmes, plisse le front, se refuse \u00e0 sourire et, lorsqu’elle entre en \u00e9ruption, de son noyau en flammes jaillissent les torrents d’une lave tumultueuse.<\/p>

Ainsi a dit le volcan<\/p>

La temp\u00eate dit : Je hais le visage de ce monde. Alors je le frappe, je le d\u00e9figure.Je le hais aussi, ai-je r\u00e9pondu, mais je vais, par l’amour, le remodeler.<\/p>

Ainsi a dit la brise.<\/p>

Apr\u00e8s la nuit vient la nuit, le jour n’est plus que nuit. Juste y br\u00fble la lanterne d’un soleil \u00e9triqu\u00e9.<\/p>

Ainsi a dit le po\u00e8te, non le rimailleur.<\/p>

Ne m’affublez pas de la belle image du vendeur d’herbe. M\u00eame le moi, maintenant j’en suis s\u00fbre, est femme issue d’un asservissement.<\/p>

Ainsi a dit, dans un soupir, le mur fissur\u00e9 aux cheveux blancs d’une maison vieille de mille ans.<\/p>

Le vendeur d’herbe n’\u00e9tait autre que le portrait de la Beaut\u00e9 qui, vol\u00e9e, cach\u00e9e \u00e0 l’\u00e9tranger, revint plus tard femme bris\u00e9e.<\/p>

Le chemin \u00e9tait barr\u00e9. Je fis passer clandestinement les mots. Ils ont tir\u00e9, ils ont frapp\u00e9 mon cheval. Mes fleurs sont tomb\u00e9es de leur panier.
Qui va l\u00e0 ? Ont-ils braille. Je n’ai pas r\u00e9pondu. L’arme, \u00e0 quoi bon, n’entend pas le stylo.<\/p>

Ainsi a dit Sh\u00e9h\u00e9razade.<\/p>

Entre l’impuissance et l’in\u00e9luctable, entre ces deux extr\u00eames de notre monde, il est un pont. L’amant fou le franchit, l’amant falot reste sur la rive.<\/p>

Ainsi a dit le dit.<\/p><\/blockquote>\n\n\n\n

Traduction: Bayan Salman et Philippe Delarbre<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Kajal Ahmad Kajal Ahmad Kajal Ahmad est po\u00e9tesse et journaliste kurde.N\u00e9e en 1967, \u00e0 Kirkouk, en Irak, ses premiers po\u00e8mes, \u00e9dit\u00e9s en 1988, frappent, \u00e0 l’\u00e9poque, par leur caract\u00e8re incisif et sensuel tout autant qu’ils t\u00e9moignent, dans l’ensemble de l’espace d’expression kurde, d’une d\u00e9marche audacieuse,emplie tout \u00e0 la fois de v\u00e9h\u00e9mence et d’\u00e9motion.Elle a depuis …<\/p>\n","protected":false},"author":1,"featured_media":6785,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[420,371],"tags":[461,460],"class_list":["post-6762","post","type-post","status-publish","format-standard","has-post-thumbnail","","category-lettres","category-traductions","tag-kajal-ahmad","tag-lettres-kurdes"],"yoast_head":"\nLettres kurdes - transcultures<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/trans-cultures.fr\/?p=6762&lang=fr\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Lettres kurdes - 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